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Education›Lab Grown Diamond Guidance›Diamond Cut Guide
Lab Grown Diamond GuidanceFenora Guide10 min read

Diamond cut guide.

Cut is the most important of the 4Cs — and the most misunderstood. It does not mean the shape of the diamond. It means the quality of the faceting and how precisely the diamond has been proportioned to maximise the return of light. This guide explains everything: what cut actually measures, how it creates brilliance and fire, how to read the cut grade on an IGI certificate, and why you should never compromise on it.

01

Cut — the most important C

Cut is the most important of the 4Cs. It is also the most misunderstood. Cut does not refer to the shape of the diamond — round, oval, pear, emerald. Cut refers to the quality of the faceting: how precisely and proportionally a rough diamond has been cut so that light enters, reflects internally and exits through the top of the stone in a perfect display of brilliance and fire.

A poorly cut diamond will look dull and lifeless regardless of how large it is, how high its colour grade is or how clean its clarity. An Excellent cut diamond with a G colour and VS2 clarity will outperform a poorly cut diamond with a D colour and VVS1 clarity in every visual way that actually matters when the ring is worn.

Cut is the one C where there is a correct answer. For colour, clarity and carat weight, the right choice depends on budget and preferences. For cut: always choose Excellent or Ideal. Never compromise on cut to get more size, better colour or better clarity. A bigger, poorly-cut stone looks worse than a smaller, beautifully-cut stone.

“Every time a client asks me to compromise on cut, I ask them to look at two stones side by side — the same carat, one Excellent cut, one Good cut. After that, no one ever compromises on cut again.”
— Yash Chandpara, Founder
02

How cut creates brilliance, fire and scintillation

Diamond cut quality is measured by how effectively a stone interacts with light. Three distinct optical phenomena create the visual character of a well-cut diamond — and understanding each one explains why cut quality affects appearance so profoundly.

The three optical properties of a cut diamond
  • Brilliance — white light reflected back from the interior of the diamond through the top facets. This is the overall brightness and luminosity of the stone. An Excellent cut diamond returns nearly all white light back through the table; a Good cut loses significant light through the pavilion and sides
  • Fire — the dispersion of white light into spectral colours — red, orange, yellow, green, blue, violet. Created by the crown facets splitting light as it exits the stone. A well-cut diamond with ideal crown angles creates vivid flashes of colour visible in normal lighting
  • Scintillation — the pattern of light and dark areas and the sparkle that appears when the diamond, the light source or the observer moves. The alternating flash of brilliance that makes a diamond appear alive rather than static

All three properties are directly determined by the proportions and angles of the cut. Change the crown angle by just a few degrees and the balance between brilliance and fire shifts. Change the pavilion depth and light return drops dramatically. The precision of diamond cutting at the Excellent grade is extraordinary — and the visual result is equally extraordinary.

03

The anatomy of a diamond cut

Understanding the components of a diamond cut — and what role each plays in light performance — makes it much easier to understand what an IGI certificate is telling you about a specific stone.

Table
1 facets
The large flat facet on top of the diamond. The window through which most of the light enters and exits. Table size percentage is one of the key cut proportions.
Crown
16 facets
The upper section of the diamond between the table and the girdle. Crown height and angle determine how light is dispersed and split into spectral colours — creating fire.
Girdle
Variable facets
The widest point of the diamond — the outer edge where the crown meets the pavilion. Girdle thickness affects both appearance and durability. Medium girdle is ideal.
Pavilion
16 facets
The lower section of the diamond below the girdle. Pavilion angle is the single most important factor in light return — it determines whether light bounces back through the top or leaks out the sides.
Key cut proportions on an IGI certificate
  • Table % — the width of the table facet as a percentage of the total diameter. Ideal range: 54–58% for round brilliants
  • Depth % — the total depth of the stone as a percentage of its diameter. Ideal range: 59–62.5% for round brilliants
  • Crown angle — the angle of the crown facets relative to the girdle plane. Ideal: 34–35°. Affects fire and brilliance balance
  • Pavilion angle — the angle of the pavilion facets. The single most critical number in cut quality. Ideal: 40.6–41°. Small deviations cause significant light loss
  • Culet — the tiny facet at the very bottom tip of the stone. Should be None or Pointed. A large culet creates a visible dark circle in the stone
04

Cut grades — understanding the IGI scale

IGI grades diamond cut on a scale from Excellent (the highest) to Poor. For engagement ring centre stones, only Excellent and Very Good are worth considering — and Excellent should always be the target.

Excellent
The finest cut grade
Proportions, symmetry and polish are at the highest level achievable. Light enters the stone and returns through the top in a perfectly balanced display of brilliance and fire. Every facet performs exactly as designed. The Fenora standard for all stones.
Fenora Recommended
Very Good
One step below Excellent
Proportions and symmetry that produce nearly identical light performance to Excellent in most viewing conditions. A very small reduction in light return that is essentially invisible in everyday wear. An acceptable choice where budget is a significant factor.
Acceptable
Good
Noticeably different in performance
Light leaks from the sides or bottom of the stone. The diamond will look noticeably less brilliant than an Excellent or Very Good cut. Fenora does not recommend this grade for engagement ring centre stones.
Not Recommended

The visual difference between Excellent and Very Good is small in most conditions. The visual difference between Excellent and Good is immediately apparent to any observer. The Fenora standard is Excellent for all stones. Every diamond in the Fenora collection is Excellent cut.

“Cut is the one thing I will never compromise on. A smaller Excellent-cut stone always looks better than a larger Good-cut stone. Always. There is no exception to this rule.”
— Yash Chandpara, Founder
05

Cut and diamond shape

Cut grade is applied differently to different diamond shapes. For round brilliants, IGI provides a specific cut grade because the ideal proportions for a round brilliant are precisely defined and universally agreed upon. For fancy shapes (oval, pear, emerald, cushion etc.), IGI grades cut more broadly — as polish and symmetry rather than a single cut grade.

Cut by diamond shape
  • Round brilliant — the only shape with a standardised cut grade on the IGI certificate. Always choose Excellent cut for a round brilliant. No exceptions
  • Oval — no standardised cut grade. Judge cut quality by the visual result: is the stone bright and evenly illuminated? Check for bow-tie effect (a dark shadow across the centre) — always view in video
  • Pear — similar to oval. No standardised cut grade. Check for the bow-tie effect and uneven brilliance. View in video before purchasing
  • Emerald and Asscher — step-cut shapes. Light performance is different from brilliant cuts — the mirror-like depth is the goal, not maximum brilliance. Excellent symmetry and polish are essential
  • Cushion — multiple cutting styles exist for cushions, each producing a different light pattern. Always view in video or photograph before purchasing
  • Princess — no standardised IGI cut grade. Check for even, bright illumination across the entire stone surface in video
Cut mistakes to avoid
  • Choosing Good cut to save budget for more carat weight — a bigger, dull stone is worse than a smaller brilliant one
  • Ignoring the pavilion angle on a round brilliant because other grades look good — pavilion angle is the most important single number
  • Purchasing an oval or pear without viewing it in video — bow-tie effect only reveals itself in motion
06

Cut quality and budget

The most common question about cut quality and budget is: if I am choosing between a 1.0ct Excellent cut stone and a 1.2ct Very Good cut stone at the same price, which should I choose?

The answer is always the 1.0ct Excellent cut. Here is why: the Excellent cut stone will be visibly more brilliant, show more fire and appear more alive in all lighting conditions. The additional 0.2ct in the Very Good stone will not make it look larger enough to compensate for the reduction in sparkle. On the hand, the Excellent cut stone will draw more attention and more admiration.

If the budget forces a trade-off between...Choose thisBecause...
Excellent cut vs more carat weightExcellent cut alwaysA brilliant smaller stone looks better than a dull larger one
Excellent cut vs better colour gradeExcellent cut alwaysCut affects appearance more directly than colour in a ring setting
Excellent cut vs better clarity gradeExcellent cut alwaysA VS2 Excellent cut looks better than a VVS1 Good cut in every real-world condition
Very Good vs Excellent at identical qualityExcellent alwaysThe price difference between Very Good and Excellent at the same colour and clarity is typically small. It is worth it
Excellent cut at slightly lower caratAlways worth it0.9ct Excellent cut vs 1.0ct Very Good — choose the 0.9ct. It will look better in every light condition
Melbourne client care · Made in Surat

See cut grades side by side.

Book a free online consultation with Yash Chandpara. He will show you Excellent and Very Good cut stones side by side on screen — so you can see the real difference before deciding.